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Jun Tsuji
was a Japanese author: a poet, essayist, playwright, and translator. He has also been described as a Dadaist, nihilist, Epicurean, shakuhachi musician, actor, feminist, and bohemian. He translated Max Stirner's ''The Ego and Its Own'' and Cesare Lombroso's ''The Man of Genius'' into Japanese.
Tōkyō-born Tsuji Jun sought escape in literature from a childhood he described as "nothing but destitution, hardship, and a series of traumatizing difficulties".〔1982. Tsuji, Jun ed. Nobuaki Tamagawa. ''Tsuji Jun Zenshū'', v. 1. Tokyo: Gogatsushobo. 313.〕 He became interested in Tolstoyan Humanism, Kōtoku Shūsui's socialist anarchism, and the literature of Oscar Wilde and Voltaire, among many others. Later, in 1920 Tsuji was introduced to Dada and became a self-proclaimed first Dadaist of Japan, a title also claimed by Tsuji's contemporary, Takahashi Shinkichi (高橋 新吉). Tsuji became a fervent proponent of Stirnerite egoist anarchism, which would become a point of contention between himself and Takahashi. He wrote one of the prologues for famed feminist poet Hayashi Fumiko's 1929 ''I Saw a Pale Horse'' () and was active in the radical artistic circles of his time.
==Epicureanism and Lifestyle Anarchism==
Tsuji was influenced by the philosophy of Epicurus, and many characteristics of Epicureanism show through his lifestyle. For example, Tsuji avoided active engagement in politics and sought after a form of ataraxia, which he was apparently able to experience through vagabond wandering and Egoism.〔1982. Tsuji, Jun ed. Nobuaki Tamagawa. ''Tsuji Jun Zenshū'', v. 1. Tokyo: Gogatsushobo. 24-25.〕 He also spent his time primarily trying to enjoy a simple life free of suffering (see Aponia).〔1993. Setouchi, Harumi. ''Beauty in disarray''. Rutland, VT: Charles E. Tuttle.〕 While his writings themselves are significant, it seems Tsuji's own emphasis was on developing an experimental, liberated lifestyle. Most of Tsuji's writings describe the philosophy behind this, as well as the personal process Tsuji went through towards this aim. As Hagiwara Kyōjirō (萩原 恭次郎) wrote, “Tsuji chose not to express himself with a pen so much as he chose to express himself through living, as conveyed by his personality. That is, Tsuji himself was his expression's piece of work”.〔1982. Tsuji, Jun ed. Nobuaki Tamagawa. ''Tsuji Jun Zenshū'', v. 9. Tokyo: Gogatsushobo. 220-221.〕 It is no coincidence that this resembles the lifestyle anarchism described by Max Stirner, who seems to be the most influential philosopher in Tsuji's development.
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